Willie Smits restores a rainforest Willie Smits 2009 Still, in this place, in this grassland where you can see our very first office there on that hill, four years later, there is this one green blop on the Earth's surface.
I'm a sucker for a good medium point black gel pen that doesn't skip or blop or dry out.Īfter all, the hands the ex-prez gripped were black hands, and the literature is filled with tales of whites cringing in horror at the prospect of shaking the hand of an African-American, or if forced to, wiping their hand on their pants, shirt, a handkerchief, or a napkin, or squirting a blop of sanitizer in their hands as soon as they're out of eye shot of the African-American.īush to Black Hands - Keep Them in Your Pocket 2010Įarl Ofari Hutchinson: Bush to Black Hands - Keep Them in Your Pocket 2010 And no, it doesn’t sound a thing like Elliott Smith.La j'ai encore mal, moins mais j'ai mal c'est quand meme supportable disons qu'ca grouille comme une gastro, comme si yavé des bulles d'air dans les intestinc et que des fois elles pété * blop blop*. But it came out this week, so, unfortunately, it’s simply great. If this came out 20 years ago, it’d be revelatory. “Needle In The Hay” is a gem of a thing, its seeming sloppiness belying the fact that this track truly rips, guitars and otherwise. Off of a split 7″ with fellow Aussie Courtney Barnett, Jen Cloher’s sound is definitely the boozier of the two. This one, produced by Modeselektor, is nearly 10 minutes of nonstop amazing, and is a must-listen for anyone unfamiliar with his work. the sound it makes when you unload your baby batter on a females ass, tits, face, stomach, back, ear, cheek, forehead, etc. The Syrian wedding singer-turned-dance-producer recently signed to Monkeytown, and that label threw a whole slew of producers at his upcoming album. Try not to dance while listening to Omar Souleyman. It’s kind of the same thing he’s been doing ever since the height of chillwave, but unlike most of his peers, he’s managed to evolve just enough to turn his sound from that of the niche into something that is pretty unassailably catchy. “Run Baby Run,” off of his upcoming album What For?, is a pop song soaked in the ’60s nostalgia that so many bands aspire to yet fail to capture in the same way as Toro’s Chaz Bundick can. Toro y Moi is Toro y Moi, and that’s why he’s both always forgotten and also worth remembering. Thankfully, what we got as a followup was a pure goddamn banger, Rihanna singing “ blop, blop, blop“s over one of the best beats she’s ever been given. Blop Trata de reventar el máximo de burbujas durante veinte segundos. blop: Bandlimited wavetable-based oscillator LADSPA plugins (package info) orphaned since 805 days. With the all-denim, all-despondence of “FourFiveSeconds,” it was easy to expect that Rihanna’s eighth album was going to be a sleeper, a more sensitive side to Bad Girl RiRi. blop: Bandlimited wavetable-based oscillator LADSPA plugins (información del paquete) huérfano desde hace 805 días. In Colour is set for a June release via Young Turks. The beat is all open bells, chants, and hand claps, over which Romy sings of her trademark malaise in her trademark whisper, “I go to loud places/ to search for someone/ to be quiet with/ who will take me home.” Intro: PewDiePie Ooh, aw, man He'll go, 'Ah, yeah' (Blip-blop) Ooh, aw, man He'll go, he'll go, 'Ah, yeah' (Yeah) Ooh, aw, man He'll go, 'Ah, yeah' (Blip-blop) Ah, yeah, yeah. The production of Jamie xx has always been the strongest part of the xx’s career aesthetic, so it’s no surprise that this song, which features Jamie’s xx bandmate Romy Madley-Croft, is stronger than anything on that group’s last album, Coexist. Blop's job was keeping company and making conversation, which meant he was programmed to talk with guests in the room and make them. Technically, this is not an xx song, but it definitely could be. We’ve got some Syrian stuff, some chill stuff, and some pure ’90s indie rock stuff for you, too. This week saw the release of the Rihanna’s anticipated followup to “FourFiveSeconds,” titled “Bitch Better Have My Money,” and Jamie xx dropped a Romy Madley-Croft-featuring single from his debut solo album In Colour. Some weeks it’s all about the indies, and other weeks it’s all about the stars.
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